Waiting for Godot

Samuel Beckett's absurdist masterpiece Waiting for Godot 
Directed by Rosemary Doyle and starring Cassel Miles, David Frisch, Sean Roberts and Nicholas Rice. Premiering in 1953, Waiting for Godot centers on two men waiting for the titular Godot, engaging in a number of discussions in the meantime. The work has become a theatrical classic. 
Waiting for Godot is a play by Irish playwright and author Samuel Beckett. It was written (1948–1949), first published (1952), and first performed (1953) in French as En attendant Godot. The play is Beckett's own English-language adaptation of the original. Subtitled "tragicomedy in two acts", it is his best-known literary work and is regarded by critics as "one of the most enigmatic plays of modern literature". In a public poll conducted by London's Royal National Theatre in the year 1998, Waiting for Godot was voted as "the most significant English-language play of the 20th century."
In Waiting for Godot, the two main characters, Vladimir (Didi) and Estragon (Gogo), spend their days waiting for someone named Godot, who they believe will provide them with salvation. They pass the time with conversations, physical routines, and philosophical musings, but their hope fades as Godot never arrives. They encounter three other characters, Pozzo and his servant Lucky, and a young boy. As the play unfolds, the repetition of actions and dialogue suggests the cyclical nature of their lives, and though Godot is promised for "tomorrow", he never appears in the play, leaving the characters in a state of existential uncertainty.
The original French text was composed between 9 October 1948 and 29 January 1949. The premiere, directed by Roger Blin, was performed at the Théâtre de Babylone, Paris, in January 1953. The English-language version of the play premiered in London in 1955. Though there is only one scene throughout both acts, the play is known for its numerous themes, including those relating to religious, philosophical, classical, social, psychoanalytical, and biographical settings. Beckett later stated that the painting Two Men Contemplating the Moon (1819), by Caspar David Friedrich, was a major inspiration for the play. Dramatist Martin Esslin stated that Waiting for Godot was part of a broader literary movement known as the Theatre of the Absurd, which was first proposed by Albert Camus.
The play has received widespread acclaim. Due to its popularity, significance, and cultural importance to modern literature, Waiting for Godot has often been adapted for stage, operas, musicals, television, and theatrical performances across most of Europe and the Americas. As one of the foundational works of theatre, the play remains widely studied in academic and literary circles.

Maximum capacity set to 60 seats.